РУССКАЯ ВЕРСИЯ
Any concept presented to a viewer indirectly, allegorically and correctly interpreted by him is closer and dearer to the viewer because it involves his own creativity» Andrey Tarkovsky

NEWS

OUTCOMES OF THE FIRST STAGE OF THE ROSKINO PROGRAM AIMED AT MFC PROMOTION Roskino supported by the Moscow Government and the Moscow Department of Transportation and Infrastructure, with the personal endorsement of the Mayor Sergei Sobyanin, has successfully established the Moscow Film Commission (MFC) and launched the international promotion campaign of the new structure that plays a key role in showcasing the resources of today’s Moscow and reaffirming Russia as a dynamic country with a rich heritage that is open for international cooperation.In 2017 Roskino CEO Katya Mtsitouridze approached the Mayor of Moscow Sergei Sobyanin with the film commission initiative that was soon greenlighted. The project aimed at attracting national and international film and TV crews to the capital enjoys the full support of the Mayor and the city government.The Moscow Film Commission was formally established by Moscow Government decree of February 21, 2018, with the Deputy Mayor Leonid Pechatnikov as President, but a number pilot programs kicked off already in 2017. The Moscow Government undertakes the management of administrative issues and permit facilitation. The main goal of the Moscow Film Commission is to support Russian and international film and TV companies in setting up filming in Moscow, facilitate organizational and and production issues, offer consultancy in location scouting, streamline permitting and assist in access to restricted locations.Katya Mtsitouridze, Roskino CEO:‘In preparation for the establishment of the Moscow Film Commission we performed a feasibility study and analyzed the experience of over 40 film commissions around the globe, in Europe, Asia, and North America. The structure and competences of film commissions may vary from city to city. In the UK, for instance, it is first and foremost and economic tool geared towards generating income and stimulating the national business by attracting large-scale international film projects that spend up to $1 bln a year. 75% of this amount remains in London.The impressive locations and world class professionals available in Moscow enhance the international capacity of the Russian capital. However, global productions need a reliable, trustworthy source of information as well as credible partners. The fact that the MFC is represented by Roskino adds weight to the new structure since we have been working on comprehensive solutions aimed at worldwide promotion of Russian film industry for 8 years. We enjoy the reputation of a solid and reliable partner, and we hope that with time the promotion efforts jointly with the performance of the new structure will make the MFC a desirable partner for international productions.Strategically speaking, it is worth while for Moscow to compete for projects that are considering London or Paris (two capitals with a comparable price level, albeit with a working system of tax rebates) rather than Bucharest that attracts middle- to low-budget projects from Europe and the US by extra low production prices and huge rebates. Romania offers studio pavilions and specialists at very low rates, it is even more cost-efficient than Prague or Budapest.Bulgaria is a direct competitor of Romania. Nearly all the big international projects shot in the country are produced by Millenium, a company with in-house studios and production base. Legendary Entertainment also works in Sofia, especially when the project requires a significant workforce. Over the last few years Bulgaria hosted a number of large-scale Hollywood projects such as 300: Rise of an Empire, London Has Fallen, Mechanic: Resurrection, and a number of others.The film commissions of France are a completely different story. The country has a network of 38 film commissions based in various cities including Paris. Each one has a different set of rules but the whole network is coordinated by a centralized structure, Film France. All members of the organization can tap into a pool of experts, enjoy marketing support through booths at various markets and film events, access various databases and software, and enjoy harmonized promotion efforts. In other words, Film France has two kinds of clients: foreign productions and local film commissions. The agency is financed by the same National Center for Cinema that is behind the national film productions.Franck Priot, the international consultant of the Moscow Film Commission, has held the position of Chief Operating Officer of Film France from 2005 to 2015. The coordinated efforts of Franck and his lean team enhanced by a steady State support allowed major Hollywood productions to return to France over these 10 years. I am very happy that our friend Jérôme Paillard, Executive Director of the Cannes Marché du Film, could kindly recommend Roskino as a long-term reliable partner so that Franck was able to join us and offer his precious advice for the creation of the Moscow Film Commission.’In the period of 2017–2018 Roskino supported by the Moscow Government took action to attract international film and TV crews to Moscow and promote the positive image of the city as a unique, comfortable and safe filming destination with a plethora of diverse locations and world-class productions. The promotion campaign of the Moscow Film Commission unfolded at all the major global film events, thus enhancing the tourist appeal of the Russian capital.The PR campaign of the Moscow Film Commission was implemented at the following international events:American Film Market (AFM), Location EXPO (November 1 – 8, 2017, Los Angeles, USA)FOCUS, The Location Guide, an international trade event and location show for film, television, and commercials (December 5 – 6, 2017, London, UK).Berlinale and the European Film Market (EFM) (February 15 – 25, 2018, Berlin, Germany)FILMART, Hong Kong international film and TV market (March 19 – 22, 2018, Hong Kong, China)MIPTV global TV and digital content market (April 9 – 12, 2018, Cannes, France)71st Cannes Film Festival and Marché du Film (May 8 – 19, 2018, Cannes, France).Katya Mtsitouridze, Roskino CEO:‘The digital sector is of primary interest today as it is the most dynamic part of the market. Apart from Amazon, Lucasfilm and other giants we met a lot of producers working on Youtube-oriented projects, making Instagram and Facebook videos. They have real production budgets and professional crews for creation of branded content or magazine videos. Most of them have an experience of working in Kiev or Minsk but not Moscow. They reacted very favourably to the recent information on the advantages of Moscow, the available sites, and production security. Now we have to do our part, and I am talking not only of the Moscow Film Commission but also of the local production companies. We have to meet the highest international standards, adjust our prices and respect our obligations. In our industry the word of mouth and the personal experiences are paramount.’A Location Expo was launched at the American Film Market in Los Angeles in November, 2017. Over 60 film commissions, facilities and government agencies from around the world offered their production incentives to the global film companies. This is where the Moscow Film Commission was first presented to the American audience. The international industry professionals took a great interest in the opportunity. Th Roskino team held over 65 meetings that resulted in dozens of requests for detailed and updated information on Moscow filming regulations. In follow-up of these meetings 11 international companies have expressed interest in working with the Moscow Film Commission and the Russian productions.The Moscow Film Commission had its own booth at the Focus Location Expo that took place in London in December, 2017.The event was aimed at international film and TV professionals. In two days the Roskino team scheduled and held over 40 meetings with major film and TV production companies. The MFC booth attracted over 500 professionals. As a result of the meetings, a keen interest in the MFC was registered among global film, drama, and leading commercial producers. The booth was especially popular with location managers and scouts that collect information on potential new locations. Negotiations were held with a number of leading global film commissions, including colleagues from Paris, Prague, Budapest, and London. Exchange of experiences took place and possibilities for future cooperation were explored. The MFC representatives met production associations and reached an agreement with the UK Production Guild to collaborate on setting up filming in Moscow.The European Film Market at the 68th Berlinale in February, 2018showcased major global production companies and associations. The program included a special pre-production section, and the Moscow Film Commission booth debuted in the European framework. The Roskino team assisted by the international consultant Franck Priot scheduled and held over 60 meetings. As a result, 31 companies expressed an interest in co-producing projects in Russia and exploring the possibilities of the Moscow Film Commission. An agreement was reached with ANICA, the leading Italian production association, to promote the MFC, Moscow locations and production services among Italian content providers.At FILMART, the biggest film and TV content market in Asia that took place in Hong Kong in March, 2018 the MFC was showcased at the Roskino – Russian Cinema Worldwide umbrella stand among the leading European, Asian and American film and TV productions and film commissions. Over 45 meetings with leading film and TV professionals were scheduled and held during the market. As a result, 23 global companies expressed an interest in exploring the possibilities of collaboration with the MFC and the Russian film and TV productions.At the MIPTV digital and TV content market that took place in Cannes in April, 2018, the MFC was once again showcased at the Roskino – Russian Cinema Worldwide umbrella stand. The television professionals were as keen about Moscow as the film people. The representatives of HBO, Starz, FremantleMedia, CBS, Amazon, BBC and other major players took the information on the MFC and its services into account. 34 meetings with industry professionals were scheduled and held at the content market.The 71st Cannes International Film Festival and Marché du Film that took place in May, 2018 was the biggest global entertainment event of the year second only to the Olympics. The Roskino stand at the film market featured a special MFC corner that attracted a lot of global production professionals. The Roskino team jointly with the international consultant Franck Priot scheduled and held over 35 meetings with international producers and productions. As a result, 24 companies expressed an interest in collaboration with the MFC and the Russian colleagues.The Moscow Film Commission was presented in the Russian Pavilion on May 12, 2018. Roskino CEO Katya Mtsitouridze demonstrated the key features of the original MFC website and the Moscow in Motion multimedia project she had co-created and produced. Moscow in Motion combines a series of 450 images of Moscow locations shot over the year by the cult photographer Anton Lange, a location guide targeted at international producers, the Moscow in Motion action short, and the Film Moscow AR smartphone app. Svetlana Maksimchenko, MFC Secretary General, informed the audience of the functions and strategic goals of the structure. The presentation was attended by over 200 global industry professionals. As a result of the promo campaign co-organized with the DDA communication agency the MFC corner enjoyed a great attention.Anton Lange, Moscow in Motion co-creator:‘Oddly enough, the most difficult thing to shoot is the city you live in. Katya suggested the subject, Moscow in Motion, and it proved fascinating. I am proud to have been a part of this ambitious initiative and the wonderful Roskino team. Every time we went out to shoot our enthusiasm was boosted. We were happy to participate in a landmark project that captured the soul, the pace, the mood, the details, and the character of our favourite city throughout the four seasons of the year. In fact, we created not only an instrument for global film and TV professionals but a chronicle of city life for a wide audience of Moscow citizens and tourists. In spite of the many tricky aspects that had to do with the weather and the complicated permitting process we were enjoying the project immensely, and I hope the international professionals will be able to appreciate our unique album of 420 original images in the nearest future.’The website of the Moscow Film Commission has been created by Roskino to offer comprehensive information on the MFC services, local production companies, available locations, and production incentives at governmental and private level. The website targets the global film, TV, media and entertainment community. It will be launched shortly as a part of the Moscow municipal web portal.The website of the Moscow Film Commission created by Roskino features:- a map of over 500 unique locations complete with brief notes on every site featured in the series of images created by the photographer Anton Lange at the commission of Roskino from August 2017 to August 2018. The images showcase the locations in all seasons;- a comprehensive, regularly updated database of world class film and TV productions open for international cooperation;- a comprehensive, regularly updated database on state-of-the-art equipment rentals;- a database of English-speaking talents and their representatives;- a clear set of filming rules and regulations established by the Moscow government;- organizational information on logistics, transportation, crew visas and other red tape details;- live weather updates;- Moscow in Motion action short shot in various restricted sites of the city;- contact details and application form.Franck Priot, MFC international consultant:‘It is worth noting that while the choice of countries and locations generally lies with the producers, the advice of location managers, directors, and writers is also taken into consideration. Financial factors play a key role but personal experiences and connections should not be underestimated. Over the past 10 years very few international productions really got to shoot in Moscow. Therefore very few producers, let alone the audiences, are aware of today’s reality of the Russian capital. They do not know what the city looks like and have no clue about ultramodern locations such as the Moscow City business district or the Zaryadye park.There is lack of transparent system of production insurance and completion bonds, lack of information on local production companies who could assist in setting up filming, lack of awareness of financial regulations and specific aspects of the climate (for instance, what is the best season for shooting where), lack of understanding of the difficulties that may arise in the process and the structures to turn to in order to solve the problems. All of these issues come along with the lack of reliable information about the costs. Moscow is known as a super expensive city for expats, so producers tend to assume that for filming it is more expensive than other European capitals. These obstacles stop international producers from coming to shoot in Moscow. The Moscow Film Commission intends to solve most of these problems by informing the global community of the available options and offering support on the spot.However at the moment the MFC is not fully operative. The next step is to create a working system of rebates and other financial incentives conforming to international standards. The implementation of such a program will make the international promotion of the MFC much more efficient. At that point Moscow will be able to compete with cities like Prague, Budapest, Bucharest and Sofia that have hosted 50% of the Hollywood and British film and TV productions over the last 10 years. In these capitals the tax rebates vary from 20% to 40% depending on the project budget. Until the rebate system was introduced in France in 2009 Paris saw as few international productions as Moscow does today. All the industry professionals that were interested in Moscow wanted to find out more about the regulations, the permitting timeframes for various objects, and the climate patterns in various cities including Moscow. When the producers and location scouts were introduced to the work of the fabulous Anton Lange they immediately asked if there was a website where all these images were available. However, the filmmoscow.com website we have been promoting on every platform and printed product as agreed with the Moscow Department of Culture offers no clue about all the above issues. It does not even have the basic information on the structure and advantages of the Moscow Film Commission. All of this content, apart from the filming regulations, is available at the original Roskino-created website I have tested on my global colleagues. The feedback I got allows me to conclude that the sooner the website is launched and becomes available for global audiences the sooner we can expect a maximal result of the extensive research and massive promotion effort that were put into the establishment of the Moscow Film Commission.’In total, from August, 2017 to August, 2018 the Roskino team scheduled and held 247 meetings with representatives of 60 nations, including the US, Canada, the UK, Australia, Israel, China, Austria, Italy, France, Korea, Germany, the Scandinavian countries and many others.As a result, the MFC received 131 requests for cooperation. The proposals came both from independent producers and major entertainment companies. It proves that global productions are ready to include Moscow locations in their future projects provided they get favourable offers from the Moscow Film Commission.In follow-up of the meetings Roskino created a fact sheet for Russian companies interested in international co-productions with an annotated list of foreign companies potentially interested in filming in Moscow. The list is available in an annex and the contact details can be requested from Roskino.AMERICAN FILM MARKETNovember 1-8,2018A Location Expo was launched at the American Film Market in Los Angeles in November, 2017. Over 60 film commissions, facilities and government agencies from around the world offered their production incentives to the global film companies. This is where the Moscow Film Commission was first presented to the American audience. The international industry professionals took a great interest in the opportunity. Th Roskino team held over 65 meetings that resulted in 30 requests for detailed and updated information on Moscow filming regulations. In follow-up of these meetings 11 international companies have expressed interest in working with the Moscow Film Commission and the Russian productions.A-Z FILMSUS production and distribution company interested in partneships with Russian production. Planning to attend the Moscow Film Festival. Ready to consider collaboration with the MFC on location scouting and permitting.BOUTIQUE EDITIONS LTDBritish publishing group behind the Location International magazine, a publication available at all the major trade shows (Locations Trade Show in LA; Cannes Lions International Festival of Creativity; Berlinale; MIPTV and MIPCOM; Sundance Film Festival; AFM). Yearly outlet issued in April, in the run-up of the Cannes festival. Interested in international promotion and ready to partner both with the MFC and the Russian film and TV productions.CINEMA AND VIDEO INTERNATIONAL Italian bilingual publication distributed mainly in Italy and at some international markets (in the English version). Has a big section dedicated to locations and film commissions. Offer promotional opportunities to the MFC and Russian productions.EMPIRE FILMSMajor US production focusing on film and TV content. Currently developing a WWII project. Ready to consider a partnership with the MFC to cast English- speaking talents and set up filming, interested in co-production opportunities offered by local companies.FINANCIAL SOLUTIONSUS financial consultancy and invest management company based in Massachusetts. Interested in partnership with the MFC, require filming and permitting regulation and more info on the MFC organizational structure. Ready to offer consultancy to Russian producers looking for international cooperation opportunities.GREENBERG TRAURIG International Miami-based legal advisors with a focus on film and TV production. Interested in partnering with the MFC, waiting for more details. Advised to get in touch with line producers working in Eastern Europe. Ready to work with Russian productions.SCENARIOOne of the top US companies focusing on development of original feature film and television scripts. At the moment the portfolio of projects in development includes several stories set in Moscow. After a general presentation of the MFC functions a formal request for production support can be expected. The company would like to get more information on the opportunities offered by the MFC and the filming regulations.SHANGHAI INTERNATIONAL FILM FESTIVAL Shanghai International Film festival. Interested in partnership. Invites an MFC representative to visit the festival. Ready to discuss the possibility of signing an MOU.SOLOPLANPolish production that is currently developing a project set mainly in Moscow. Interested in the MFC support for permitting and location scouting. Ready to work with Russian productions.TAKE ONE PRODUCTIONSA US company that is developing a co-production project that may be partially set in Moscow. Willing to send more info and discuss the possibility of partnering up with Moscow for filming support and location scouting. Interested in finding a Russian production capable of setting up filming in Moscow.ZED ENTERTAINMENTA US company producing a film starring Eric Roberts. Looking for a Russian distributor. The film is currently in post production. Interested in working with the MFC on their future Moscow-related projects. Need more information on the opportunities offered by the MFC support, financial incentives and potential discounts at local production studios.
RUSSIAN ACTORS STARRING IN INTERNATIONAL PROJECTS Russian film stars are going international. The leading Irish talent agent Richard Cook known as the Irish casting pioneer, the founder of the Subtitle Film Festival in Kilkenny, and co-founder of The Lisa Richards Agency, informed ROSKINO of the career achievements of several Russian actors.In 1989 Richard Cook and his actress sister established The Lisa Richards Agency that specializes in casting actors, authors, directors and producers around the globe. The company represents Pierce Brosnan, Cillian Murphy, Amy Ryan, Aidan Turner, and many other stars.Richard Cook is also the founder of the Subtitle Film Festival – a top international yearly event that takes place in the heart of Ireland, in the town of Kilkenny. The line-up features European titles, master classes, andtalent networking events.In a follow-up of the festival several leading Russian actors have been tapped for international films and series. It was the lucky touch of the agent that got Yuri Kolokolnikov his guest star appearance in the legendary Game of Thrones, and later in The Transporter Refueled by Camille Delamarre and The Hitman’s Bodyguard by Patrick Hughes. Daniil Vorobyev was tapped for the British drama Riviera directed by Hans Herbots, Philipp Kadelbach, and Adrian Lester, Nadja Bobyleva was cast in Ashes in the Snow by Marius A. Markevicius, and Diana Pozharskayaappeared in The Unknown Soldier by Aku Louhimies. Richard is representing many more Russian talents: the actors Danila Kozlovsky, Maria Andreeva, Evgenia Brik, Lyubov Aksenova, the director Anna Melikyan, the cinematographer Mikhail Krichman, and a number of others.Most recently Richard Cook has shared with Roskino the exclusive news: the popular Russian actor Yuri Kolokolnikov has just been cast in the new Michael Bay thriller 6 Underground for Netflix and Skydance.Richard Cook, The Lisa Richards Agency co-founder‘I am so happy for Yuri, I think he is one of the most promising talents in Russian cinema today. It is a big break for him, and the biggest budget for an original Netflix project to date. 6 Underground starring Ryan Reynolds will start shooting at the end of September in Italy. And working with Michael Bay is a dream opportunity when it comes to professional fulfilment.’According to Variety, 6 Underground is a spec created by Deadpool and Deadpool 2 writers Rhett Reese and Paul Wernick who will also executive produce. Skydance Media’s David Ellison, Dana Goldberg, and Don Granger will produce the project along with Bay. The plot revolves around six billionaires who fake their own deaths and form an elite team to fight the bad guys. The release is scheduled for 2019.The actress Diana Pozharskaya who shot to fame after the Hotel Eleon series is about to start filming her first English-language lead in Firebird helmed by the Estonian Peeter Rebane. It is a great achievement for Diana. Based on a true story, Firebird is a cold war thriller set in the 1970’s Soviet air force. A dangerous love triangle forms when both Luisa, a charming and ambitious secretary to the base Commander, and her best friend Sergey, a troubled conscript, unexpectedly fall for Roman, a daring young fighter pilot. Driven by curiosity, they embark on a fatal affair of forbidden love and deception, navigating the precarious line between love and friendship. Sergey has to face his past, Roman’s career is endangered and Luisa struggles to keep her family together. As the walls close in they risk their freedom and their very lives in the face of an escalating KGB investigation and the multiple perils of an all seeing Soviet regime. The project is produced in the UK by Brigita Rozenbrika and executive produced by Mauro Durant and Neil Tennant. Release is scheduled for 2019.Maryana Spivak, internationally recognized for her role in Andrey Zvyagintsev’s Loveless (2017), has completed filming in Danny Boyle’s new film for Working Title set in an imaginary world where The Beatles never existed.Danila Kozlovsky and Sofya Lebedeva have been confirmed for a new season of McMafia. The Russian organized crime drama debuted in February, 2018 as an eight-part series created by Hossein Amini and James Watkins. Inspired by Misha Glenny’s best-selling book of the same name, the series follows Alex Goldman (James Norton) as he is drawn deeper and deeper into the world of organized crime. McMafia is co-produced by the BBC, AMC, in association with Twickenham Studios, and distributed internationally by BBC Worldwide.Danila Kozlovsky also continues his work in Season 6 of Vikings which is currently being filmed in Ireland for the History Channel. He is starring in the leading role of Oleg the Prophet.Vikings is a project created and entirely written by the Michael Hirst, a family saga that tells of the lives and epic adventures of the raiders and explorers of the Dark Ages. The character of Kozlovsky was a Varangian prince of Novgorod who ruled the Rus people in the 10th century. Coincidentally, Kozlovsky headlined the 2016 big-budget Russian feature by the same title where he played one of Oleg’s successors, Vladimir the Great, Prince of Novgorod. Kozlovsky is repped by Richard CookLisa Richards Agency and Larry Taube at Principal Entertainment, LA.Katya Mtsitouridze, Roskino CEO:‘We have been working with Richard Cook for 6 years. Roskino supports the participation of Russian actors in the Kilkenny festival. It is one of the best networking events of the world where actors are treated with love and respect and a great atmosphere is produced to bring out the best sides of their creative nature and to show the sides of their skills and talent that can hardly come out at a normal casting interview. Richard arranges meetings with top casting directors and influential agents that can be life changing.I believe that supporting the international expansion of the Russian artists must become one of the industry priorities. Only by getting out of the comfortable local community can they unlock their true potential. Danila Kozlovsky and Yuri Kolokolnikov whose every appearance is a real thrill, Evgenia Brik who has just been screen tested for Bond girl, Maria Andreeva who is bound to get great international proposals, Darya Ekamasova who has managed to charm even the smuggest members of the New York-based industry, and many other talents are worthy of a great acting career and a worldwide recognition. This is the very soft power out President Putin has been talking about. Hopefully with time Roskino supported by the Ministry of Culture will be able to implement the program of national cinema promotion where actors are supposed to play a key role. The French have realized it a long time ago and they act with panache. In Russia our possibilities are still limited but the results are already impressive. The newest international achievements of our talents are the best national cinema day gift for those who truly care about Russian actors.’
RUSSIA AT TIFF 2018 The 43th Toronto International Film Festival, one of the key events in the film calendar, is running from September 6 to September 16. The line-up of the previous edition comprised 340 titles from 340 countries that attracted over 400.000 festival-goers. The 2018 selection features entries from 80 countries, including a number of North American premieres and a strong Latin American and European component.TIFF follows the global trend of female empowerment by focusing on issues of sexual harassment and the #MeToo movement. Since the 2017 the festival has launched a special Share Your Journey initiative aimed at offering more opportunities to women behind and in front of the camera. On September 8 the festival holds a Respect Rally to support female filmmakers.The Gala section includes 21 titles, in Special Presentations there are 52 films, of which 21 are world premieres and 13 are made by female directors.The opening film is David McKenzie’s period drama Outlaw Kingstarring Chris Pine as the Scotch national hero Robert the Bruce. The closing film is Justin Kelly’s true-story-based Jeremiah Terminator LeRoy with Kristen Stewart, Diane Kruger, and Laura Dern. Atop of an array of debuts the festival will screen new works by masters of the calibre of Paolo Sorrentino, Carlos Reygadas, Jia Zhangke, Jean-Luc Godard, Claire Denis, Alfonso Cuarón, and many others.The Russian delegation is brought to TIFF 2018 by ROSKINO supported by the Ministry of Culture of the Russian Federation.The festival slate features two Russian titles: Core of the World by Natalia Meschaninova and The Factory by Yury Bykov in the Contemporary World Cinema section.Katya Mtsitouridze, ROSKINO CEO:‘The festival in Toronto has been gathering momentum and building up its authority year by year. Over the last 5 years TIFF has been shaping the global industry agenda on a level that is second only to Cannes. All the more important is the fact that over 15 Russian films have been screened in the most prestigious sections of the festival during the recent editions. This year is also most fortunate. The TIFF programmers considered 9 highly appreciated Russian titles and selected the groundbreaking works of two bright and daring Russian filmmakers: The Factory, a social drama or rather a social thriller starring one of the top national talents, Denis Shvedov, and The Core of the World, the second film by the uncompromising auteur Natalia Meschaninova. The project has attracted a lot of attention last December at the Les Arcs co-production market when it was still at the initial phase of production. And now we see it representing Russia in Toronto where female directors are highly endorsed, although the work of this highly talented filmmaker goes far beyond the cliches of women’s cinema. Both Russian titles have strong global appeal and great chances at TIFF market that is among the top industry events in the world. The market is what makes Toronto more important than Venice that is taking place almost in parallel. As always, the ROSKINO – Russian Cinema Worldwide umbrella stand showcases a selection of new, promising Russian projects with a great international distribution potential.’Core of the World is a drama co-written and directed by Natalia Meschaninova in a Russian-Latvian co-production. The protagonist, Egor, is a young vet at a training facility for hunting dogs somewhere in the backwoods. There is nothing but foxes, deer, badgers, and dogs. Egor lives in a lean-to shed next to the owner’s family, treats animals, oversees workhands, greets clients and their dogs. Getting along with animals is much easier for him than dealing with humans. And yet he is willing to take on any job to get closer to the facility’s owner and his near and dear. He wants the impossible: to become a member of that family.Natalya Drozd, producer:‘We instantly liked the script and the project convinced us at once. The film delves into one of the key problems of our civilisation that is behind major humanitarian disasters of the 20th century: we are prone to construe the troubles and mindsets of others through our own perspective, pursuing a highly judgemental vision of the good, making an energetic and destructive intrusion on the fragile ecosystem of etnocultural and social entities that are different from our own in the name of fighting for someone’s rights, without any clue of what the objects of the fight really need and how it might affect the other parties. The film shows a training facility for hunting dogs, a strange world with its own simple and peculiar ways. Such facilities have never made it to the big screen since in most countries they have long been banned. However the location offers precious insights into the inner world of the protagonist, Egor, a modern-day Mowgli that finds it easier to bond to animals than to humans.’Natalia Meschaninova, director and co-writer:‘The story is in a way inspired by the vicissitudes of the life of my nephew Oleg. His family did not want him so he took to the streets, ending up in a remand house and then in an orphanage. Core of the World is an attempt to find a better life for Oleg through cinema. To invent a character who cannot forgive his mother and grow up, who cannot deal with his own anger, fear and grievances and yet finds a family he can rely on. He is offered a chance of recovery. It is very important for me to raise the issue of pain and see how to deal with it, both from the inside and the outside. One’s bad past is not a life sentence, not even a diagnosis. The past is not there anymore, so there is a chance of working with the present to find a way out of the deep pit.’Boris Khlebnikov, co-writer‘To be perfectly honest, I have hardly any credit in this story. I was basically fine-tuning the script by reading the drafts and asking questions. The guys felt they needed advice and sparring ideas. However, it was Natalia who wrote the final script, and she was very much sure of what she was doing. I think she created a peculiar genre, a kind of mystic realism that allows us to enter into the protagonist’s head to hear and feel and interpret each and every thought and emotion. In Arrhythmia we wanted to tell a realistic story staying within the genre limits while Natalia created a genre of her own, and it is absolutely thrilling.’Stepan Devonin, actor, co-writer‘Since I worked on the script from the very start, in a way the protagonist reflects my personality. Although I had a perfectly happy childhood, I know many people with different experiences. For instance, a classmate of mine was rescued from an orphanage by her father. He had divorced her mother and moved to a different city with his new family so he could not know that the girl’s mother had been deprived of parental rights and my classmate had been sent to an orphanage. She was OK but sometimes used to steal food, even when there was no actual need for it. She also liked hugging. She would wrap her arms around you and stay like this, she could not let people go. She would snatch apples out of other people’s bags even if there were plenty of them around. It was clear from those habits that she was always half expecting people to betray her. And when you are thrown out again, at least you have an apple as a consolation. I tried to capture some of these qualities when I shaped the character of Egor.He is a vet, a person who gets along with animals far better than with humans just because humans are traitors while animals do not betray. This is why he became a vet in the first place, or at least so I suppose.’The second Russian title in the TIFF 2018 lineup is The Factory, a socialthriller written, directed and co-produced by Yury Bykov in a joint Russian-Armenian-French effort.After a local oligarch purchases a factory in a small Russian town and announces its closure, hundreds of blue collar workers are left with no means of support. Everyone meekly accepts this fate except for six desperate and reckless men who decide to kidnap the oligarch in order to get what is theirs. Greyhair, the roughneck leader, is an ex-military badly shell-shocked in a hot zone. Together with his comrades he initiates a mortal combat with the heavily armed bodyguards of the oligarch led by a man known as Fog. The outcome of the combat will show who is going to have the better hand, the rich or the poor. The cast includes Denis Shvedov, Andrey Smolyakov, Vladislav Abashin, Alexandr Bukharov, Ivan Yankovsky, and many more.Yury Bykov, director, writer, co-producer:‘It has been four years since The Fool, and all the time I was doing TV dramas. But I owe it to my public that has been waiting for a new feature. I could not have let all these people down so I am happy to present The Factory, a project I have been nurturing for a very long time. I wanted to make a gritty, masculine thriller with social implications. Essentially The Factory is a social thriller focused on the conflict of two opposite archetypes of men.’Denis Shvedov, lead actor:‘I was very happy to work with a director of the caliber of Yury Bykov. I would be happy to do anything with him, even be part of the supporting cast. His scripts are not only original, they are a unique form of genuine Art, with the capital A. His text is incredibly dense. Ordinary people do not talk like this in normal life, we always cut ourselves short to hide the density. By contrast, Bykov’s characters are unfailingly hefty, intense and profound. And yet their phrases are essentially quite simple. Somehow Yury manages to find the right balance, which is well appreciated by the public.This time I got to play a dream role: my character struggles and goes out of his way to get what he wants.’Ruslan Tatarintsev, producer:‘It is no secret that our high-brow critics hardly spoil Bykov with their attention: they set no store by his crude truths. But honesty and persistent searching of the proverbial Russian soul is much appreciated by the public. At Kinopoisk.Ru, the main national film site, hundreds of thousands users voted The Fool the best film of the century. For those people Bykov is an iconic artist on a par with Shukshin, Vyssotsky. Balabanov… The Toronto selection offers yet another proof: Bykov is a great director who pays a lot of attention to the public.’The TIFF 2018 industry program is starring the umbrella ROSKINO – RUSSIAN CINEMA WORLDWIDE stand brought to Toronto with the support of the Ministry of Culture of the Russian Federation. The traditional protagonists are Central Partnership, All Media, Planeta Inform, Mars Media, Russian World Vision, Indie Vision: a total of over 35 production and distribution companies.ROSKINO is presenting an updated version of the DOORS international traveling film market catalogue featuring best national titles of 2016-2018.The portfolio of Central Partnership features an array of projects including Gogol. Origins, Gogol. Viy, and Gogol. Terrible Revenge by Egor Baranov, On the Block by Olga Zueva, The Fixies vs Crabots, a second feature in the successful franchise, Guests by Evgeny Abyzov, Yaga by Svyatoslav Podgaevskiy, Billion by Roman Prygunov, and How I Turned Russian by Akaki Sakhelashvili and Xia Hao. Negotiations are going on for Svyatoslav Podgaevskiy’s The Mermaid. Lake of the Dead, Coach by Danila Kozlovsky, Going Vertical by Anton Megerdichev, and The Fixies: Top Secret.Katerina Pshenitsyna, International Sales Director:‘Toronto is the start of a new sales season, and we are presenting an extensive catalogue of new titles. Our portfolio has never been more diverse, so our expectations for the coming markets are really big.’All Media is presenting The Conquest of Siberia, Igor Zaytsev’s epic tale of the conquest of Siberia produced by Yellow, Black and White Studio. The efficient combination of period details, fast-paced narrative, and a story of first love unravelling in the times of Peter the Great appeals to all audiences. The catalogue also includes the second installment of Dmitry Dyachenko’s popular franchise, The Superfamily II.The Planeta Inform package includes a selection of new horrors.The Cursed Seat by Nadezhda Mikhalkova is slated for release on October 25. It is a teen horror thriller telling the story of a bunch of high school kids who learn the secret behind the urban legend of the cursed place. Apparently, everyone who gets a certain place in the local movie theatre is doomed. At first no one takes it seriously but a series of gruesome events forces the kids to reconsider their attitude. The friends start an investigation of their own only to become the main suspects. Trapped by fear and mistrust, the classmates decide to challenge the malevolent spirit of the cursed seat.Ilya Maximov’s horror thriller The Soul Conductor is the story of Katya, a girl with a powerful gift: she sees ghosts. When her twin sister disappears, Katya embarks on a desperate search. The police insist that her sister does not exist at all, she is but a figment of Katya’s own sick imagination. Meanwhile Katya discovers that there is a serial killer loose on the streets, and her sister is just one of his many victims. There is still hope to save her, but in a dark and mysterious city full of secrets no one can be trusted. Not even Katya herself.The Dawn by Pavel Sidorov is a horror produced by Dmitry Litvinov and Vladislav Severtsev, the duo behind the international success of The Bride. The film is slated for national release on January 31, 2019. The protagonist is a girl who loses her brother in mysterious circumstances. She suffers from vivid nightmares and decides to undergo a treatment in a somnology institute where she is induced into a conscious dream shared with other patients. But come dawn they wake up in a different reality that is worse than any nightmare.Mars Media is focusing on the distribution of T-34, a military action by Alexey Sidorov, and The Ideal, a mystery drama by Kirill Pletnev, along with a number of other new projects.The RUSSIAN WORLD VISION Toronto line-up features Konstantin Maximov’s true-story-based war drama Insuperable, aka Tankers.Although the national release is only slated for October, 2017, rights for several territories have already been sold. Negotiations are carrying on for Well Hello There, Oksana Sokolova, a comedy by Kirill Vasilyev.Other RWV titles include Break by Tigran Saakyan, currently in production, Temporary Difficulties, a true-story-based period drama by Mikhail Raskhodnikov scheduled for national release in October, 2018, Dmitry Suvorov’s period drama The First as well as All or Nothing by the same director.The RWV Indie Vision branch presents Thawed Carp by Vladimir Kott and two directorial debuts: Light Up by Kirill Pletnyov and Middleground by Alisa Khazanova.
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